Alec Finlay, Proposal for Dalchonzie
Photograph, Alistair Peebles 2011
Ken & I visited Dalchonzie on our Basho-inspired journey the road north, where it figured as a pair for Kagnuma, ‘Mirror Pond’.
Alec Finlay, 2011
even the greatare acted upon
by invisibleinfluences
Alistair and I are struck by the combination of water-garden and power source: exemplary mingling of productivity and reflection. It is a philosophy that wind-farms and power stations rarely adopt – and why would they, without the land and view in their possession being held in common?
A sense of purpose changes over time. Now the power station proclaims the identification of water with ‘renewables’.
Alec Finlay, 2011
Time for a change: time to revive the state-planned arcadia of the energy-garden, and extend its potential into a forward-looking vision of walks, woods, considered alignments, so that the short-lived intervention of the wind-farm – after all, what is two decades measured in terms of eras of energy, or hills – will extend into a network of rich habitats, woodland or moorland paths and viewing points that look out from the towers and through the blades.
A rational energy program, integrating reflection and inspiration.
Alec Finlay, 2011
motionand time
containlogic
Dalchonzie | Kagenuma
This excursion takes the form of a poem, beginning from an image I sketched on a poem label from my memory of last year's visit, and then extending into a longer reflection on Mirror Pond.
Alec Finlay, 2011
DALCHONZIE
a body of
standing
water
a body of
standing
water
word-mntn (Bioran Dalchonzie)
poem, Alec Finlay; photograph, Alistair Peebles 2011
Alistair Peebles, 2011
(I)
Dalchonzie’s mirrorhas the spruce-clad rampof Bioran Dalchonzie
under arrestin the day’s bestpool of cloud
aslant in the glassof the full windowsthat crown
what’s mere reflectionbelow some skyis disturbed
by the churnpropellingin constant motion
beneath the bridgeof the stationsucking detritus
leaves and twigslucozade bottleand a dead frog
being releasedinto the inevitableflow gliding
the smooth tailracein a managed currentbetween banks
hemmed with birchbound to thenarrow sluice
which rips downthe chuteand meets
a natural endminglingwith the Earn
Alistair Peebles, 2011
Alistair Peebles, 2011
(II)
empty with silencethe inner hubof the station
generateswhatever electricitythere is
in dented turbinessunk deepin the hill’s core
screened from viewby Dalchonzie’sidyllic water-
garden which lookstoward Givernyin its reflections
Alec Finlay, 2011
Alec Finlay, 2011
(III)
this is the powerof the mirror :to know nothing
of labourthis is the powerof water :
to know nothingof the forced racethrough the blades
have no interestwhether its particlesrest in static pools
or are compelled
through hewn rock pen
stocks and steel pipes
forcing the turbineto turnfor water
and mirrormay be givenover to reflection
but they nevermake productionany of their concern
they remainamiably carelessof their many effects
whether mirroringa falling leafflooding a glen
or lightingthe quiet streetsof a small Perthshire town
Alistair Peebles, 2011
Alistair Peebles, 2011
The Old Wheel
A mile further on we take a turn around the still wheel of Bobbin Mill, an older wheel, ripening in the sun. The technology is much the same, it's just that Dalchonzie's better geared, smoother edged, capable of absorbing a higher velocity of water through the penstocks – one could even pun that the hydro differ as they fall from a greater head.
Alistair Peebles, 2011
Alec Finlay, 2011
just
these
few
apples
to
fall
collaborations
Needless to say this blog is a collaboration with my colleague Alistair Peebles, as much for the conversation we share on these field-trips as the excellence of his photographs.
The pool at Dalchonzie is a conceptual and elemental confluence, where my renewable wind-gardens mingle with his renewable marine gardens. Future blogs will extend these themes and locate them in specific landscapes, such as Rousay and Billia Croo.
intimations
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